Encore ! Sound
The sound is run from the back of the theatre (outside the lighting box) by Charlie. Two mixers will be used, the K7 (hire) will be the main FOH desk, with a band submix on the GL2. The matrix will be used to feed the JBL M330s at the rear of the stage. The JBLs will be used for band foldback to the cast (if necessary) and the SFX.
The radio mic packs were due to be co-located with the Desk, but it may make sense to locate them in the stage wings. The tables have allocated space in the hired in 16 way multicore for the radio mics just in case.
Main Mixer (K7)
Channel allocations, sources and multicore assignments:
| Chan# | From | Multicore | Source | Insert | Destination |
| 01 | Radio Mic #1 (Rhoda 1) | 1/1 | Direct | Compressor #1 | G5/G6 |
| 02 | Radio Mic #2 (Rhoda 2) | 1/2 | Direct | Compressor #2 | G5/G6 |
| 03 | Radio Mic #3 (Rhoda 3) | 1/3 | Direct | Compressor #3 | G5/G6 |
| 04 | Radio Mic #4 (Rhoda 4) | 1/4 | Direct | Compressor #4 | G5/G6 |
| 05 | Radio Mic #5 (Rhoda 5) | 1/5 | Direct | Compressor #5 | G5/G6 |
| 06 | Radio Mic #6 (Rhoda 6) | 1/6 | Direct | Compressor #6 | G5/G6 |
| 07 | Radio Mic #7 (Hire 1) | H/1 | Direct | Compressor #7 | G5/G6 |
| 08 | Radio Mic #8 (Hire 2) | H/2 | Direct | Compressor #8 | G5/G6 |
| 09 | Radio Mic #9 (Hire 3) | H/3 | Direct | Compressor #9 | G5/G6 |
| 10 | Radio Mic #10 (Hire 4) | H/4 | Direct | Compressor #10 | G5/G6 |
| 11 | Radio Mic #11 (Hire 5) | H/5 | Direct | Compressor #11 | G5/G6 |
| 12 | Radio Mic #12 (Hire 6) | H/6 | Direct | Compressor #12 | G5/G6 |
| 13 | Radio Mic #13 (Hire 7) | H/7 | Direct | Compressor #13 | G5/G6 |
| 14 | Radio Mic #14 (Hire 8) | H/8 | Direct | Compressor #14 | G5/G6 |
| 15 | Float #1 | 2/1 | CK98 | - | G1 |
| 16 | Float #2 | 2/2 | CK98 | - | G1 |
| 17 | Float #3 | 2/3 | CK98 | - | G1 |
| 18 | Float #4 | 2/4 | Bruce? | - | G2 |
| 19 | Float #5 | 2/5 | Bruce? | - | G2 |
| 20 | Band FOH Mix | - | GL2-L | - | L |
| 21 | Band FOH Mix | - | GL2-R | - | R |
| 22 | Band Stage Mix | - | GL2-1 | - | |
| 23 | Band Stage Mix | - | GL2-2 | - | |
| 24 | Lexicon reverb L | - | Direct | - | |
| 25 | Lexicon reverb R | - | Direct | - | |
| 26 | PC - In (L) | 4/1 | - | - | |
| 27 | PC - In (R) | 4/2 | - | - | |
| 28 | - | ||||
| 29/30 | CD - FOH | - | - | ||
| 31/32 | CD - Stage | - | |||
| G1 | Floats | - | - | 32 Channel+Sabine | L/R |
| G2 | Floats | - | - | 32 Channel | |
| G3 | |||||
| G4 | |||||
| G5 | Vocals | L/R | |||
| G6 | |||||
| G7 | Stage Wedges | M1, M2 | |||
| G8 | |||||
| L | Main Outputs (H9, H10) and sub bass via M3,M4 | ||||
| R | |||||
| M1 | Stage Wedge L | H/11 | |||
| M2 | Stage Wedge R | H/12 | |||
| M3 | Sub Bass L | H/13 | |||
| M4 | Sub Bass R | H/14 | |||
Aux Sends
Aux Sends are configured as follows:
- 2 for providing loop back for CD player
- 1 for providing vox foldback to the band
- 1 for reverb
GL2 (Band)
The GL2 is used as a submixer for the band. It will be used in its monitor mixer mode with the sub-groups being used to provide separate foldback mixed for the band and the stage:
| Chan# | From | Multicore | Source | Insert | Destination |
| 01 | Mike (Keys) | 2/6 | DI | - | L/R/G1/G2/G3/G4 |
| 02 | Chris (Keys) | 2/7 | DI | - | L/R/G1/G2/G3/G4 |
| 03 | Chris (Harmonica) | 2/8 | SM58 | - | L/R/G1/G2/G3/G4 |
| 04 | Bruce (Sax/Clarinet) | 3/1 | NT2 | - | L/R/G1/G2/G3/G4 |
| 05 | Bruce Guitar | 3/2 | SM58 | - | L/R/G1/G2/G3/G4 |
| 06 | Tony (Bass) | 3/3 | DI | - | L/R/G1/G2/G3/G4 |
| 07 | Kick | 3/4 | D12 | - | L/R/G1/G2/G3/G4 |
| 08 | Snare | 3/5 | SM57 | - | L/R/G1/G2/G3/G4 |
| 09 | OH | 3/6 | Neuman | - | L/R/G1/G2/G3/G4 |
| 10 | Vox Foldback to band | - | K7 | - | G3/G4 |
| 11/12 | MGS-64 | 3/7 - 3/8 | DI | - | L/R/G1/G2/G3/G4 |
| 13/14 | ART Reverb | Direct | - | - | L/R/G1/G2/G3/G4 |
| G1 | Band Mix 1 (L) - Stage | - | - | - | K7 |
| G2 | Band Mix 1 (R) - Stage | - | - | - | K7 |
| G3 | Band Mix 2 (L) - Band Foldback | 1/7 | - | - | Sound Box (Amp) |
| G4 | Band Mix 2 (R) - Band Foldback | 1/8 | - | - | Sound Box (Amp) |
| L | Main Outputs (FOH - K7) | ||||
| R | |||||
Aux Sends
Configured as follows:
- 4 used for generating sub mixes in monitor mode
- 1 for Reverb
